@article{MAKHILLJEAS201914317394,
    title = {The Changes of Lao Silverware in Vientiane},
    journal = {Journal of Engineering and Applied Sciences},
    volume = {14},
    number = {3},
    pages = {812-822},
    year = {2019},
    issn = {1816-949x},
    doi = {jeasci.2019.812.822},
    url = {https://makhillpublications.co/view-article.php?issn=1816-949x&doi=jeasci.2019.812.822},
    author = {Amara,Niyom and},
    keywords = {Change,silverware,Vientiane Capital,Lao people,Cambodia,Thailand},
    abstract = {This research aims to study the history of Lao silverware, to study the changes of silverware in
Vientiane Capital. Research methodology consists of descriptive research to analyze the changes of silverware
in Vientiane Capital. The researcher collected the documents and field from the study area of silverware
manufacturers in Vientiane Capital Champalanxang Shop, Fa Watthana Shop, Phaiwan Handicraft Shop and
Achan Uding Silversmith. Study plans consist of interviews by in-depth interviews and sub-group discussions
with 4 silverware craftsmen, observation using both participant and non-participant observation, analyze the
data on the change of silverware in Vientiane Capital, using the theory of cultural diffusion, theory of aesthetics
in arts and crafts and the concept of inventing related traditions. The research found that Lao silverware began
in the reign of King Fa Ngum where the silver artisans were taken from the town of Khmer to Luang Prabang.
In the old time, the silverware was a privilege held by kings and the royal family as well as noblemen. Lao
silverware is influenced by Khmer art (Cambodia), China, Lanna, Sukhothai (Thailand) and Bagan (Myanmar).
For the changes of silverware in Vientiane, it is found that from the past until 2015, Khan (pedestal tray) and
Or (bowl) are the most utensils for daily use attached to the way of life of the Lao people. The shape and pattern
have been changed due to the economy and the country administration structures.}
    }